Gone racing

6 09 2014
The Mechanic.

The Mechanic. Without Kimura-san, the Lola Formula 3 car would never have gotten off the trailer.

‘Peter-san, please brake on’ – Kimura-san was about to put the jack under the front suspension, and just needed me to activate the brakes. Climbing over the wide body moulding, I levered myself into the driver’s ‘seat’ and stretched my legs down a seemingly endless tunnel. My size 11s found the pedals, but you need ballerina’s feet to touch only the brake. By turning myself kind of sideways, and pointing my toes, I managed it. Not a comfortable experience by any stretch of the imagination, and then there’s the wild howling crazed monster of an engine, inches behind the driver’s head. You really have to be a slave to cars, to even contemplate strapping yourself into one of these missiles.

I had come to Fuji International Speedway, location of the longest straight in the world, to shoot some portraits with a 10 year old Japanese karting champion. Unfortunately, he had gone to school. But Kimura-san, the mechanic for dentist Saito-san’s little F3 Lola, had an interesting face, and I told him so ‘not interesting, Peter. bad, maybe’. Saito-san owns and drives the Lola at closed meetings like this one, or historic racing events. But he seemed a little camera shy. So Kimura and I went to the pit lane, where you have these beautiful converging lines, and a heavy cloud covering the background. I shot with a 14mm lens, to include the dramatic architecture of the grandstand and circuit buildings. A flash in a soft box provided the light for Kimura’s face. It was a shame that the original subject had not made himself available, but still coming away with a great shot is compensation in itself.

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2 responses

10 09 2014
A day out at Fuji Speedway | Japan Classics

[…] Original images are available for purchase over on Peter’s website, The Authentic Image, with some more detail about his day at Fuji speedway over on his blog. […]

10 09 2014
Gone racing | Japan Classics

[…] Original BloG Post […]

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